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While Curtis has had a prolific career in film and television, making her an indelible Hollywood figure, this was her first Academy Awards nomination — and now, her first win. Midway through the speech, his co-stars told the audience that they wanted to sing him "Happy Birthday," and they did. It's expected that someone might make an ass of themselves on an awards show night, but the Oscars audience seemed more than a little surprised when an actual donkey showed up. Robert Oppenheimer, the father of the atomic bomb, in "Oppenheimer," said he was "overwhelmed" to have won the award. Emma Stone won the best actress Oscar for her performance in "Poor Things."
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The Art of Costume is dedicated to highlighting the best in motion picture, television, and theater costume design. Philip grew up in Louisiana (not New Orleans) before moving to St. Louis after graduating from Louisiana State University-Shreveport. When he's not writing about movies or television, Philip can be found being chased by his three kids, telling his dogs to stop barking at the mailman, or chatting about professional wrestling to his wife. Writing gigs with school newspapers, multiple daily newspapers, and other varied job experiences led him to this point where he actually gets to write about movies, shows, wrestling, and documentaries (which is a huge win in his eyes).
Best Costume Design Academy Award Winners
Writer/Director Sofia Coppola really wanted to humanize the larger than life figure who came to be known as Marie Antoinette (Kirsten Dunst). Who is best known for her utter disregard for the regular French folks as they starved and suffered and launched the French Revolution. To that end, Best Costume Design winner Milena Canonero uses colors that pop — pastels and frills emphasizing the queen’s youth and naïveté and youthful indiscretion. The eponymous Anna (Keira Knightly again) is happily married to the much older Alexei Karenin (Jude Law).
Christopher Nolan wins best director
He revealed on “The Howard Stern Show” a few weeks before the Oscars that an agency advised him not to appear in “Barbie” in a cameo. Set a reminder for Tuesday, Jan. 24, 2023, when the Academy of Motion Picture Arts and Sciences will announce this year’s Academy Award nominations. If you enjoyed the “The Art of Costume Oscars Shortlist for Best Costume Design” leave a comment and let me know who you hope to get a nomination.
John Cena gives out costume design Oscar in his ‘birthday suit’ - CNN International
John Cena gives out costume design Oscar in his ‘birthday suit’.
Posted: Sun, 10 Mar 2024 08:00:00 GMT [source]
Of the costume designers currently working, Colleen Atwood and Milena Canonero are tied for the largest number of Oscar wins with four each. Atwood has been nominated 12 times, and has won for her work on Chicago (2003), Memoirs of a Geisha (2006), Alice in Wonderland (2011) and Fantastic Beasts and Where to Find Them (2017). Canonero has been nominated nine times, and has won the Oscar for her work on Barry Lyndon (1976), Chariots of Fire (1982), Marie Antoinette (2012), and The Grand Budapest Hotel (2015). Teams of designers working together have often won Oscars, as is sometimes required to dress the hundreds of extras required by an epic drama, or to create the intricately detailed gowns which dress up a musical. On other occasions, the winner designed and then oversaw the production of costumes by a team working underneath them. Sometimes the best solution is for a studio to work with a costume design firm.
She then responsibly and authentically recreated plain dress for each of the films characters. Walter Lang’s The King and I is a fantastic cinematic experience nearly 70 years after its release, as are the costumes throughout this Oscar-winning film. The dress worn by Anna Leonowens (Deborah Kerr) is the stuff of wonder, especially during the prayer sequence where the size and shape of the garment create some great visual effects. Rita Moreno’s Oscar-winning portrayal of Anita in the 1961 version of West Side Story is one of the most triumphant performances of all time and one of the reasons Robert Wise and Jerome Robbins’ musical is so beloved. Another great thing about Moreno’s performance is the iconic violet dress she wore during the classic “America” sequence, an outfit that surely helped the film win Best Costume Design. Baz Luhrmann’s 2013 adaptation of The Great Gatsby feels like a jazz-infused fever dream with its outrageous story and over-the-top characters.
Costume Design 2024 Oscars Nominees: “Napoleon”
Best Costume Design winner Mark Bridges succeeds in the daunting task of creating couture looks that infuse this sense of loss into each bespoke gown. Costume Designer Sandy Powell was fortunate to have access to the royal archives and even Queen Victoria’s (Emily Blunt) wedding dress and coronation robes. She does a beautiful job of re-creating the queen’s wardrobe no matter what the occasion.
But as this is also pure fantasy, Atwood draws on a variety of eras, with their signature silhouettes and fabrics, to make us believe that this topsy turvy world could actually exist if we were to allow ourselves to fall down the rabbit hole. We only need to see the human-sized playing card army to know why she was awarded her fourth Oscar on our list for Best Costumes. It takes place in a universe where two distinct worlds co-exist, side by side, without ever really colliding. One a flashy, period drama; the other a world of both fantasies and nightmares.
But as this Hollywood tale continues, the audiences are brought along on a wild ride full of movie sets and period costumes designed by Academy-Award nominated designer, Mary Zophres. The costumes in Rob Marshall’s 2002 film adaptation of Chicago are something else, with each scene filled with exquisitely dressed characters singing, dancing, and killing no-good lovers. The outstanding outfit that stands out the most is the little black and sparkly number worn by Velma Kelly (Catherine Zeta-Jones) in the “Cell Block Tango” sequence. It was at the height of the ’70s streaking fan, when nude people frequently interrupted public events. In the decades after the costume design Academy Award was first introduced the designers who were nominated or won were a rotating roster of famous names that most anyone interested in movie making would recognize. Orry Kelly, Walter Plunkett and Irene Sharaff won for Vincente Minnelli’s 1951 musical, An American In Paris.
It’s been quite a journey for the film, which was released by Netflix in October with relatively little fanfare, only for it to chime with awards season voters. Edward Berger’s adaptation of the German World War I novel cleaned up at the BAFTAs, including a surprise win for best picture. Other nominees in the category included "Barbie," "Killers of the Flower Moon," "Napoleon," "Oppenheimer."
This epic saw Ingrid Bergman take on the role of the French icon as she fought to save her people from the English. There are a lot of great outfits, but nothing comes close to an armored Jeanne d'Arc atop a horse with a sword. George Miller’s Mad Max franchise has given the world some outrageously wild characters over the years, including Fury Road’s big bad, Immortan Joe (Hugh Keays-Byrne). The voice and hair are cool, but Joe’s mask, absurd armor, and series of tubes look so crazy and menacing. An earlier Colleen Atwood endeavor is the big-budget adaptation of the renowned stage production by the great Bob Fosse and Fred Ebb. With former choreographer Rob Marshall at the helm, Chicago swept the Oscars that year, in no small part due to Atwood’s costuming.
An earlier Baz Luhrmann/Catherine Martin collaboration, this one even more fantastical and romantic. The costumes are reminiscent of a music video, but also the period of the story. They fit seamlessly (no pun intended) into the overall look of the film. The gladiator’s job was to fight to the death with a variety of weapons. Janty Yates had to create costumes that would allow the actors and stunt performers to move freely, while at times still appearing as if they were restricted by their garments. "'Poor Things' was a very rare opportunity to be really free and artistic in a creative process as a costume designer," she continued.
While Austin Butler gives an award-worthy performance, none of it would be possible without the incredible costumes designed by Catherine Martin. The silhouettes, fabrics, and color palettes are simply mesmerizing. When the Costume Design Oscar was first introduced, the first films eligible for consideration were those from 1948, separated into different categories for black-and-white films and those in color. This practice ended in 1967, when the separate categories merged into a single award for costume design, one for art direction and one for cinematography. Black-and-white film went out of style, and in this same year all major television networks also stopped broadcasting in monochrome during the prime time content slots. Carter previously won the same Oscar back in 2019, for Black Panther.
Jaqueline Durran conveys these societal restrictions well by physically confining the March sisters in corsets and tight jackets. But at the same time, the girls are their most liberated, both literally and figuratively, when they are together performing and just being a family. Here, Reynolds Woodcock (Daniel Day-Lewis) is a tortured genius who can’t separate his past traumas from his current reality.
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